Divided into four sections and set in Kentucky, Fanny Says by Nickole Brown weaves a double narrative that folds together both a granddaughter’s recollections and a grandmother’s persona. The imagery is blunt, the dialect true, and what unfolds is a metaphoric hope chest, a series of living flashbacks through which Brown creates a poetic treatise on memory’s workings.
Five poems from the spring 2014 issue.
Across the white highway, dogs drift unmoored
Silver-tipped seagrass, but no cactus. An offing
of shopping plazas, their harsh light and low roofs.
That's the way with drought; first dissent,
a worm belief that one place could be another.
I bet it feels good to twist a head of cotton
clean from the stem's fat and browning boll.
I bet it feels good to stand in irrigated rows.
A poem from the summer 2014 issue.
When the sky threw down hail, I knew
our world was sudden, changing. In the violence of rains
we ran, I held my daughter with her water-soaked braids.
She covered her ears and counted
one Mississippi, two Mississippi
the space between lightning and thunder.
A poem from the Winter 2013 issue.
Veronica is lovely. She wipes the dust from Christ’s face in the carving
beside Simon, though she is never mentioned in the Gospels.