Originally published in our Tennessee Music Issue  There is a remarkable story tucked halfway through Bessie, Chris Albertson’s biography of the blues singer Bessie Smith, in which Smith approaches a circle of robed North Carolina Klansmen, places one hand on her hip,… by Amanda Petrusich | Nov, 2020

Playlists curated by your favorite musicians and writers. by Brittany Howard, Kiese Laymon, Rosanne Cash, Kelsey Waldon, & others | Nov, 2020

An introduction to the Music Issue’s Icons Section Beyond my eye, beyond the death and decay of matters left behind and unsettled, the music ringing up above my head told a thousand stories of bounty and belonging, and it glimmered… by Danielle A. Jackson | Nov, 2020

Originally published in our 2007 Music Issue  In a remarkable 1963 appearance with Juilliard professor and friend, Hall Overton, at the New School in New York, Monk demonstrated his technique of “bending” or “curving” notes on the piano, the most… by Sam Stephenson | Nov, 2020

Originally published in our North Carolina Music Issue.  I wanted to start with the wild weeds and the creaking wood on the front porch, walking up to Nina Simone’s childhood home in Tryon, North Carolina. I wanted to start where… by Tiana Clark | Nov, 2020

An essay from the Greatest Hits Music Issue The first songs that I listened to by Talibah Safiya had this soft, sweet, plaintive quality. There is something else underneath if you listen a bit closer: a little loneliness. The knowledge… by Jamey Hatley | Nov, 2020

An introduction to the Greatest Hits Music Issue How does the South inform my music? How do I describe the sound that your bare feet make when they pat the cool, packed red dust under them? How do I describe… by Brittany Howard | Oct, 2020

 A Letter from the Editor, Food Issue. Quiet as it is kept, and widely as it has become forgotten, those who do the cooking and the farming know that those who only eat what is cooked for them and served… by Alice Randall | Mar, 2021

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After reading Union, I felt more than sympathy for and with the poet—I felt myself enter the narrative, become the narrator.

Divided into four sections and set in Kentucky, Fanny Says  by Nickole Brown weaves a double narrative that folds together both a granddaughter’s recollections and a grandmother’s persona. The imagery is blunt, the dialect true, and what unfolds is a metaphoric hope chest, a series of living flashbacks through which Brown creates a poetic treatise on memory’s workings.

The Virginia State Colony for Epileptics and Feebleminded by Molly McCullly Brown is out today from Persea Books. 

Five poems from the spring 2014 issue.

Across the white highway, dogs drift unmoored
Silver-tipped seagrass, but no cactus. An offing
of shopping plazas, their harsh light and low roofs.
That's the way with drought; first dissent,
a worm belief that one place could be another.
I bet it feels good to twist a head of cotton
clean from the stem's fat and browning boll.
I bet it feels good to stand in irrigated rows.

A poem from the summer 2014 issue.

When the sky threw down hail, I knew
        our world was sudden, changing. In the violence of rains
                we ran, I held my daughter with her water-soaked braids.
She covered her ears and counted
        one Mississippi, two Mississippi
                the space between lightning and thunder.

A poem from the summer 2014 issue.

I turn on the porchlight
so the insects will come,
so my skin that drank of you
can marvel at how
quickly it becomes enraged,
a luscious feast. I'm waiting

A poem from the summer 2014 issue.

Peace on this planet
Or guns glowing hot,
We lay there together
As if we were getting
Something done. It
Felt like planting
A garden or planning
A meal for a people
Who still need feeding,

A poem from the summer 2014 issue.

Something is burning in the Iowa hills.
As we move down the pewter river,
color of our ashen skin, we see smoke,

A poem from the Winter 2013 issue.

Veronica is lovely. She wipes the dust from Christ’s face in the carving
beside Simon, though she is never mentioned in the Gospels.