Originally published in our Tennessee Music Issue  There is a remarkable story tucked halfway through Bessie, Chris Albertson’s biography of the blues singer Bessie Smith, in which Smith approaches a circle of robed North Carolina Klansmen, places one hand on her hip,… by Amanda Petrusich | Nov, 2020

Playlists curated by your favorite musicians and writers. by Brittany Howard, Kiese Laymon, Rosanne Cash, Kelsey Waldon, & others | Nov, 2020

An introduction to the Music Issue’s Icons Section Beyond my eye, beyond the death and decay of matters left behind and unsettled, the music ringing up above my head told a thousand stories of bounty and belonging, and it glimmered… by Danielle A. Jackson | Nov, 2020

Originally published in our 2007 Music Issue  In a remarkable 1963 appearance with Juilliard professor and friend, Hall Overton, at the New School in New York, Monk demonstrated his technique of “bending” or “curving” notes on the piano, the most… by Sam Stephenson | Nov, 2020

Originally published in our North Carolina Music Issue.  I wanted to start with the wild weeds and the creaking wood on the front porch, walking up to Nina Simone’s childhood home in Tryon, North Carolina. I wanted to start where… by Tiana Clark | Nov, 2020

An essay from the Greatest Hits Music Issue The first songs that I listened to by Talibah Safiya had this soft, sweet, plaintive quality. There is something else underneath if you listen a bit closer: a little loneliness. The knowledge… by Jamey Hatley | Nov, 2020

An introduction to the Greatest Hits Music Issue How does the South inform my music? How do I describe the sound that your bare feet make when they pat the cool, packed red dust under them? How do I describe… by Brittany Howard | Oct, 2020

 A Letter from the Editor, Food Issue. Quiet as it is kept, and widely as it has become forgotten, those who do the cooking and the farming know that those who only eat what is cooked for them and served… by Alice Randall | Mar, 2021

May 12, 2015

An interview with the photographer from 1999.

I suppose one definition of propaganda (or pornography?) might be: art that denies the mysterious.

June 16, 2016

At seventeen, Joseph Wright left his working-class neighborhood of redbrick row homes and Italian restaurants in South Philly to spend a crisp spring and boiling summer in the woods of western Virginia.

June 30, 2015

When Ben Metcalf’s first novel, Against the Country, was published in January of this year, it drew scant attention from the world we designate “literary,” and none from the marketplace of what we call ideas. But another look reveals that Metcalf seems guilty beyond a reasonable doubt of sentences written with intent—sentences of extraordinary interest and beauty, originality and art, drama and delight.

October 28, 2016
A poem from the Fall 2016 issue. 
 
What are the details I’ve left out? That I’m not
 
poor. That I’ve never had to buy food
at the Dollar Store at the end of the month.
 
That I’m relentlessly straightforward lately,
which has to do with my need to tell you
 
exactly what happened, because what happened
is so unclear.
September 05, 2017

A poem from the Fall 2017 issue.

There were more rebel flags and gun shops 
in Indy than Virginia, fewer mountains, 
less green for our eyes, and our cat 
wasn’t born there, she was born here, 
under the house, and if nothing 
March 01, 2014
Deer snorts, dog snarls—that’s all I hear. Then I see brown and white fur, clumps of it floating in water, the stream pinking with blood. Deer and dogs in water. Jake, ninety pounds of shepherd, taking the doe’s hooves and teeth. Becca and Little B, smaller but still good-sized, at the rear biting fur and flesh, getting kicked, holding on.
June 11, 2019

Thomas Jefferson, Pharrell, and more notes on the state of Virginia 

Now, when strangers ask me where I’m from, I say, “Virginia Beach. We gave the world Pharrell. You’re welcome.” Pharrell was the black cosmopolitan force that proved my home wasn’t country. He was a living rebuke of what Thomas Jefferson wrote in Notes on the State of Virginia, his only book, in which he says you would “never . . . find that a black had uttered a thought above the level of plain narration; never see even an elementary trait of painting or sculpture.”
March 07, 2017

The Virginia State Colony for Epileptics and Feebleminded by Molly McCullly Brown is out today from Persea Books. 

April 30, 2015

For the past month, The William King Museum in Abingdon, Virginia, has presented Transience a group photography exhibition showcasing the work of Trish Gibson, Joshua Harr, and Amber Law, three students from East Tennessee State University. Exhibited collectively, the trio’s work examines the fleeting nature of personal experience and how local environments change over time.

May 19, 2015

Source and Confluence, by Scott Jost, explores the origins and tributaries of the Chesapeake Bay watershed. Through his images of floods and rapids, scenic overlooks and weedy river banks, Jost searches for signs of balance between human interests and natural systems.

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