Originally published in our Tennessee Music Issue  There is a remarkable story tucked halfway through Bessie, Chris Albertson’s biography of the blues singer Bessie Smith, in which Smith approaches a circle of robed North Carolina Klansmen, places one hand on her hip,… by Amanda Petrusich | Nov, 2020

Playlists curated by your favorite musicians and writers. by Brittany Howard, Kiese Laymon, Rosanne Cash, Kelsey Waldon, & others | Nov, 2020

An introduction to the Music Issue’s Icons Section Beyond my eye, beyond the death and decay of matters left behind and unsettled, the music ringing up above my head told a thousand stories of bounty and belonging, and it glimmered… by Danielle A. Jackson | Nov, 2020

Originally published in our 2007 Music Issue  In a remarkable 1963 appearance with Juilliard professor and friend, Hall Overton, at the New School in New York, Monk demonstrated his technique of “bending” or “curving” notes on the piano, the most… by Sam Stephenson | Nov, 2020

Originally published in our North Carolina Music Issue.  I wanted to start with the wild weeds and the creaking wood on the front porch, walking up to Nina Simone’s childhood home in Tryon, North Carolina. I wanted to start where… by Tiana Clark | Nov, 2020

An essay from the Greatest Hits Music Issue The first songs that I listened to by Talibah Safiya had this soft, sweet, plaintive quality. There is something else underneath if you listen a bit closer: a little loneliness. The knowledge… by Jamey Hatley | Nov, 2020

An introduction to the Greatest Hits Music Issue How does the South inform my music? How do I describe the sound that your bare feet make when they pat the cool, packed red dust under them? How do I describe… by Brittany Howard | Oct, 2020

 A Letter from the Editor, Food Issue. Quiet as it is kept, and widely as it has become forgotten, those who do the cooking and the farming know that those who only eat what is cooked for them and served… by Alice Randall | Mar, 2021

March 28, 2019

How to describe our hero... Musician? Artist? Furniture maker? Visionary hermit? All-of-the-above? Yes, all-of-the-above. That would be it. Hidden away in a secretive corner of a haunted-looking house in the fading Delta cotton town of Rosedale, Mississippi, Mr. Moore seems equal parts R. Crumb, Daniel Johnston and Boo Radley—with a dose of PT Barnum thrown in.

March 13, 2018

A video supplement to “The Question of Dinner” by John T. Edge, published in the Spring 2018 issue.

“At the end of a meal, people expect to leave having had a good time. At the end of these dinners, the matrix is different.”

January 07, 2019

A video supplement to “Folk Witness” by John T. Edge, published in the Fall 2018 issue.

“Joints and shacks offer witness to the environments where design and operation incongruities . . . often bespeak honesty. The creative responses of that grocery store manager and that breakfast joint operator confirm that humans are at the helm in such spaces, singular and complicated souls capable of responding to circumstance and necessity with brilliance.”

—John T. Edge, “Folk Witness”

June 10, 2020

A video conclusion to Osayi Endolyn’s column “Counter Service”

In 2019, Osayi Endolyn wrote “Counter Service,” a column examining how American dining culture is shaped by historic social practices that have often left out, or outright excluded, groups of people including women and African Americans. To conclude her series, she visits Willa Jean, Kelly Fields’s restaurant in New Orleans, to discuss the elements that make a dining experience successful.

August 14, 2018

A video supplement to “Dixie Vodka” by John T. Edge, published in the Summer 2018 issue.

“General Beauregard Dixie Vodka Set to March Across South” announced a September 25, 2013, press release. One hundred and fifty years prior, when P. G. T. Beauregard marched toward Charleston, he fought to preserve the economic system that shackled black Southerners and made possible extraordinary white Lowcountry wealth. This press release raised the question: Why march now?

—John T. Edge, “Dixie Vodka”

April 21, 2019

A video supplement to “Oaxaca Wreck” by John T. Edge, published in the Spring 2019 issue.

“When I moved to Mississippi in 1995, I became a quick regular at Bottletree Bakery, just off the square, across from the church that my family would subsequently join. At that low counter, with a thick china mug in hand, I ate scones pocked with crystallized nuggets of ginger and pored over grad school texts. I befriended the charming misfits and dreamers who poured refills and stared at their shoes and beamed guileless smiles. And then I quit the place. Because I got jaded. Because I got busy.”

—John T. Edge, “Oaxaca Wreck”

January 14, 2019

A lyric essay supplement to our 2018 North Carolina Music Issue—plus H. C. McEntire covers Led Zeppelin.

God is right there, in the brier. Turn the rows, change the tires, bow the heads, feed the mouths. Only the rhythm will yield the harvest. Go on, now. Shoot the hog between the eyes. It’s easiest that way.

Serve them all.

July 15, 2019

A video supplement to “Social Engineering” by John T. Edge, published in the Summer 2019 issue.

“Written in tight script on one of those green-and-white guest check pads, her words account a surrealist barnyard: ‘gecko elastic, cookie armpit, giraffe crotch, zebra elastic.’ I had noticed Rachael working on the far end of the bar, pulling costumes from cubbies and then carefully refolding and restacking each one. But I hadn’t realized that she was doing triage, making note of which of the thirty or so costumes they stock needed repair.”

—John T. Edge, “Social Engineering”

September 20, 2019

An exclusive premiere from Rachel Grimes’s new album, The Way Forth.

During the emotional process of moving her parents into nursing homes some years back, Grimes and her brother became the executors of a scattershot archive of family photos, papers, and ephemera. The elisions and erasures of the past gathered poignantly in Grimes’s mind on the repeated drives along the Kentucky River between her farm and her father’s home. Rural Kentucky is endlessly evocative to Grimes, and the bucolic is a rhizome that threads throughout her work.

October 01, 2019

A video supplement to “My Mother’s Catfish Stew” by John T. Edge, published in the fall 2019 issue.

“She was a genius, I’ve come to recognize, at recasting defeats as glorious spectacles. Faced with small-town ignorance, fearful of what small-town boredom might wrest from her, she did her best to divert and subvert. Looking back, I see my best self in her flagrancy. And I glimpse what my worst self might have nurtured, had the darker times in Clinton defined my life.”

—John T. Edge, “My Mother’s Catfish Stew”

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