Originally published in our Tennessee Music Issue  There is a remarkable story tucked halfway through Bessie, Chris Albertson’s biography of the blues singer Bessie Smith, in which Smith approaches a circle of robed North Carolina Klansmen, places one hand on her hip,… by Amanda Petrusich | Nov, 2020

Playlists curated by your favorite musicians and writers. by Brittany Howard, Kiese Laymon, Rosanne Cash, Kelsey Waldon, & others | Nov, 2020

An introduction to the Music Issue’s Icons Section Beyond my eye, beyond the death and decay of matters left behind and unsettled, the music ringing up above my head told a thousand stories of bounty and belonging, and it glimmered… by Danielle A. Jackson | Nov, 2020

Originally published in our 2007 Music Issue  In a remarkable 1963 appearance with Juilliard professor and friend, Hall Overton, at the New School in New York, Monk demonstrated his technique of “bending” or “curving” notes on the piano, the most… by Sam Stephenson | Nov, 2020

Originally published in our North Carolina Music Issue.  I wanted to start with the wild weeds and the creaking wood on the front porch, walking up to Nina Simone’s childhood home in Tryon, North Carolina. I wanted to start where… by Tiana Clark | Nov, 2020

An essay from the Greatest Hits Music Issue The first songs that I listened to by Talibah Safiya had this soft, sweet, plaintive quality. There is something else underneath if you listen a bit closer: a little loneliness. The knowledge… by Jamey Hatley | Nov, 2020

An introduction to the Greatest Hits Music Issue How does the South inform my music? How do I describe the sound that your bare feet make when they pat the cool, packed red dust under them? How do I describe… by Brittany Howard | Oct, 2020

 A Letter from the Editor, Food Issue. Quiet as it is kept, and widely as it has become forgotten, those who do the cooking and the farming know that those who only eat what is cooked for them and served… by Alice Randall | Mar, 2021

Kenneth Alexander Campbell and Wesley Hogan

Kenneth Alexander Campbell graduated from North Carolina Central University in May 2017 with a BA in mass communication and a concentration in media studies. A former Communications Fellow for Common Cause NC, he has been an intern and digital media specialist for the Center for Documentary Studies (CDS), including the SNCC Digital Gateway project, since May 2016. In Fall 2017, he will enter the MFA program in the Department of Media, Journalism, and Film in Howard University’s School of Communications. Campbell was the recent recipient of a John Hope Franklin Student Documentary Award from CDS and the Septima Clark Emerging Artist Award from the Charleston Civil Rights Film Fest for his short documentary, Milliennials of the Moral Movement: Prelude.

Wesley Hogan is the director of the Center for Documentary Studies at Duke University, where she teaches the history of youth social movements, African American history, women’s history, and oral history. She is a research professor at the university’s Franklin Humanities Institute and Department of History. Formerly, Hogan taught at Virginia State University, where she codirected the Institute for the Study of Race Relations. Her book on SNCC, Many Minds, One Heart: SNCC’s Dream for a New America (2007), won the Lillian Smith Book Award, among other honors, and she is currently working on a post-1960s history of young people organizing in the spirit of Ella Baker. Since 2013, Hogan has co-facilitated a partnership between the SNCC Legacy Project and Duke University, culminating in the recent full launch of the SNCC Digital Gateway, whose purpose is to bring the grassroots stories of the civil rights movement to a much wider public.

July 19, 2017

An installment in our weekly series, The By and By.

I cannot tell you how exciting it is to see this surge of young people saying, “We’re pretty clear on what our values are. We’re pretty clear on what we want our futures to look like, and here are some ways we’re getting there. And we’re not asking permission. We’re just doing it.”