Originally published in our Tennessee Music Issue There is a remarkable story tucked halfway through Bessie, Chris Albertson’s biography of the blues singer Bessie Smith, in which Smith approaches a circle of robed North Carolina Klansmen, places one hand on her hip,…by
Amanda Petrusich |
An introduction to the Music Issue’s Icons Section Beyond my eye, beyond the death and decay of matters left behind and unsettled, the music ringing up above my head told a thousand stories of bounty and belonging, and it glimmered…by
Danielle A. Jackson |
Originally published in our 2007 Music Issue In a remarkable 1963 appearance with Juilliard professor and friend, Hall Overton, at the New School in New York, Monk demonstrated his technique of “bending” or “curving” notes on the piano, the most…by
Sam Stephenson |
Originally published in our North Carolina Music Issue. I wanted to start with the wild weeds and the creaking wood on the front porch, walking up to Nina Simone’s childhood home in Tryon, North Carolina. I wanted to start where…by
Tiana Clark |
An essay from the Greatest Hits Music Issue The first songs that I listened to by Talibah Safiya had this soft, sweet, plaintive quality. There is something else underneath if you listen a bit closer: a little loneliness. The knowledge…by
Jamey Hatley |
An introduction to the Greatest Hits Music Issue How does the South inform my music? How do I describe the sound that your bare feet make when they pat the cool, packed red dust under them? How do I describe…by
Brittany Howard |
A Letter from the Editor, Food Issue. Quiet as it is kept, and widely as it has become forgotten, those who do the cooking and the farming know that those who only eat what is cooked for them and served…by
Alice Randall |
Erin Krall is a photographer based in New Orleans using a street style to tell stories of place. She previously worked at the ONE Campaign in Washington, D.C., where she curated photography, and as an education reporter for The Lens in New Orleans.
In an attempt to “fuse New Orleans and Miami as metro jungles,” Erin Krall’s Tropiques Plastiques showcases the real and synthetic vegetation of those two cities, forming an unconventional portrait of the urban American tropics.