Writers reflect on Charles Portis
He was the real thing, but he was modest about it. An awestruck fan meeting him by chance in a Little Rock bar named the Faded Rose gushed at him, praising him as a great American writer. Portis shrugged saying, “I’m not even the best writer in this bar.”
The Oxford American Literary Project is thrilled to welcome two new key staff members: managing editor Danielle A. Jackson and development director Adrienne Anderson.
Notes on the songs from our 21st Southern Music Issue Sampler featuring South Carolina.
It is fitting that this Southern Music Issue (the Oxford American’s twenty-first) devoted to South Carolina should come in 2019, as the nation moves to better recognize the tragic anniversary of the first sale of enslaved Africans on American soil, in August of 1619. About forty percent of the enslaved people brought to America came through Charleston; today most African Americans have roots in the city (some estimates go as high as eighty percent). Or to put a finer point on it, as Joshunda Sanders writes in this issue, “No Black person has a family tree that has not been pruned by slavery.” Acknowledging, parsing, and reckoning with this history is the prominent theme of this South Carolina music issue—as is celebrating the immense wealth of cultural heritage that has sprung from this small, proud place.
An exclusive premiere from Rachel Grimes’s new album, The Way Forth.
During the emotional process of moving her parents into nursing homes some years back, Grimes and her brother became the executors of a scattershot archive of family photos, papers, and ephemera. The elisions and erasures of the past gathered poignantly in Grimes’s mind on the repeated drives along the Kentucky River between her farm and her father’s home. Rural Kentucky is endlessly evocative to Grimes, and the bucolic is a rhizome that threads throughout her work.
A commemoration of the No Tears Suite from the Summer 2019 issue
I hadn’t been to Little Rock until the performance, and to be able to go to the museum across the street, to be reminded with videos how horrific that moment was, to actually play in that school, that was deep. To know that this is something that’s so heavy, something we’re still going through, even. To be there in the same town, on the same block, in the exact same building and onstage, in that beautiful auditorium. It was an emotional time.
Notes on the songs from our 20th Southern Music Issue Sampler featuring North Carolina.
The profiles, eulogies, and essays herein boast of remarkable achievements of North Carolina’s musicians across eras and genres: from unassailable legends (High Point’s John Coltrane, Tryon’s Nina Simone, Chapel Hill’s James Taylor) to contemporary masters (Snow Hill’s Rapsody, Jacksonville’s Ryan Adams, Raleigh’s 9th Wonder) to the seen-afresh (Dunn’s Link Wray, Kannapolis’s George Clinton, Winston-Salem’s dB’s, Charlotte’s Jodeci)—and, of course, the often-overlooked and in-between (Winston-Salem’s Wesley Johnson, Morganton’s Etta Baker, Chapel Hill’s Liquid Pleasure, Kinston’s Nathaniel Jones, Black Mountain’s period of hosting John Cage).
The Oxford American magazine’s celebration of its twentieth annual Southern Music issue, this year featuring North Carolina, will be held Monday, November 26 – Saturday, December 1, 2018. This weeklong celebration, co-presented by Hillsborough, North Carolina-based Yep Roc Records, and designed in partnership with North Carolina-native singer-songwriter Tift Merritt, will be comprised of music events featuring a Statewide Singing Circle and literary readings highlighting stories from the issue.
Seven writers on their literary mentors.
Essays by Tayari Jones, Kevin Brockmeier, Crystal Wilkinson, Tift Merritt, Pia Z. Ehrhardt, Bronwen Dickey, and Jamey Hatley.