This year we’ve compiled our “greatest hits,” including selections of the most beloved music writing from our archive—guest edited by Brittany Howard, the Grammy Award-winning singer, songwriter, and frontwoman of the Alabama Shakes. This jam-packed issue also includes new essays on iconic Southern artists who have changed the trajectory of American music.
Rather than including a CD this year, we’ve asked guest contributors to curate a selection of playlists that limn the bounty of Southern music across genres. These are available to stream on Spotify.
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I love potatoes in all their forms—even raw—but especially hash browns, latkes, French fries, baked potatoes, soufflés, puffs, pastries, and homefries. And vodka. Don’t get me started on vodka. Please don’t! The last time I imbibed potato liquor I wound up hiring a bicycle taxi to pedal five people to my mother’s house for a nightcap. Mom was delighted; the taxi-cyclist quite a bit less so.
A poem from our spring 2015 issue.It’s Derby Day. And it’s been 30 years since 1984 when I stood in the grandstand at Churchill Downs after betting my last $20 on Swale that horse I groomed and watched as he pulled away from Wayne Lukas’s great filly Althea to win the 110th running of the race. Thirty years and a lot of souls have risen to the upper register of life and my own life has been made more reachable by what their love did to me.
When Prince sang “Soft and Wet” from a 45 on my record player, the lyrics were hidden beneath the funky beat. My grandparents never knew what I was listening to. Prince and his doe eyes and big Afro and glistening lean body stared back at me from the pages of Right On! magazine. We lived far out into the woods, on a gravel road. My grandparents were farmers. Books and magazines and television told me that normal black girls did not live like this. But I did. Prince was the sex I knew nothing about. Prince sealed my fantasies about a larger world.
An exclusive premiere from Rachel Grimes’s new album, The Way Forth.
During the emotional process of moving her parents into nursing homes some years back, Grimes and her brother became the executors of a scattershot archive of family photos, papers, and ephemera. The elisions and erasures of the past gathered poignantly in Grimes’s mind on the repeated drives along the Kentucky River between her farm and her father’s home. Rural Kentucky is endlessly evocative to Grimes, and the bucolic is a rhizome that threads throughout her work.
Thirty years ago, after traveling all night across the desert, I reached the West Coast and promptly jumped into the Pacific Ocean. My plan was to meet a slew of fabled California girls, who’d be deeply impressed with my country-boy resourcefulness and reward me with sexual favors. Instead, the cold undertow pulled me out to sea, and began pushing me far from my pile of clothes.
We both loved Gary Stewart, and we both loved Grace.
My wife Grace’s father was a big man. He wasn’t much more than six feet tall, but I think folks thought of him as taller because he carried himself large. He tried being a hippie once, he said, but couldn’t abide the non-violence (too many people needed to get their asses kicked). At the first job he ever had, on a ranch, he got a business card with his official title: COWBOY. He kept that card. He wore a cowboy hat and cowboy boots. He had the best hunting dogs in Levy County. For a while he ran a sawmill. For a while he was a watermelon farmer, then a beekeeper, then he raised buffalo on the family farm. That’s just a small sampling. His name was John. He went by Chuck.