This year we’ve compiled our “greatest hits,” including selections of the most beloved music writing from our archive—guest edited by Brittany Howard, the Grammy Award-winning singer, songwriter, and frontwoman of the Alabama Shakes. This jam-packed issue also includes new essays on iconic Southern artists who have changed the trajectory of American music.
Rather than including a CD this year, we’ve asked guest contributors to curate a selection of playlists that limn the bounty of Southern music across genres. These are available to stream on Spotify.
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In Lament from Epirus, Christopher C. King finds his musical and spiritual Elysium.
I call two places my home: I call my record room my home and I call Epirus my home. Where I was born and bred and raised up, and scarcely have left from, really bears little resemblance to what it was when I was growing up, so it’s hard to call it home anymore.
Highlights from the Oxford American’s 18th Music Issue: “Visions of the Blues.”
Across the 160-page magazine and 23-song CD compilation, we’re celebrating one of the South’s greatest cultural exports: blues music.
The Oxford American has been nominated for a 2017 National Magazine Award: Zandria F. Robinson’s essay “Listening for the Country” is a finalist in the Essays and Criticism category.